On the 22nd of August we had an amazing
workshop with two of the leading slam poets of Delhi, Ms. Shibani Das and Ms.
Aastha Singh. Both Ms. Shibani and Ms. Aastha are young women who have fallen
in love with words and the art of poetry and had come to show us how beautiful
this art is. These artists are amazing writers and even better speakers.
However, I noticed that both of them have very different styles. Ms. Shibani
portrays her poems in a strong and quick manner, more like a rap, whereas Ms.
Aastha likes to go through her poems slowly and sweetly more like a slow,
soothing song.
The workshop started in the morning. When we
entered the room all of us sat together and Ms. Mayura introduced us to the two
beautiful writers and after that they took over. They did an ice-breaking
activity with us and then we had a small activity followed by an introduction
to few do’s and don’ts of presenting slam poetry. After which we had a small
break. When we got back, we listened to what would probably be a teen poet's
dream come true moment, “Cinderella Syndrome” by Ms. Shibani Das. The poem was
about the expectations we have from young love and the reality that follows,
the poem was stunning as it took us back in time to an insight into Ms.
Shibani’s life.
Overall, I can very confidently say that this
was the best workshop and an unforgettable day of my middle school life as I
was one of those few people who is a die-hard fan of slam poetry. I would like
to thank both Ms. Shibani and Ms. Aastha along with all of our wonderful
English teachers for giving us an opportunity to learn so much. Thank you so much
and on behalf of all of us in Pathways I’d like to say that we truly admire
both of you.
Aarushi Pandey
8A
This was easy enough to understand.
However, how to use drama to entertain through means of poetry is something
else. Aastha and Shibani’s workshop and
their personal performed poetry gave us
real life examples on how to create slam
poetry, how to exude confidence and how poetry can be used to express range of emotions
using drama. I found the “writing poetry
together” exercise in the workshop most
helpful. This helped me understand how different perspectives can be elicited
from one topic and none of them are neither wrong
nor in tandem with the theme. The art
though is mixing all those ideas into one
single poetry.
Putting traditional poetry aside and
gather confidence to not recite but perform the poem is an extremely important aspect of the whole ordeal.
As much as you try to make them go away, butterflies still flutter in your
stomach every time you perform. The
workshop’s tips and tricks to survive this, will prove fruitful in future during any audience performance. The best part is if you fake confidence, it naturally comes
to you.
By Tarsha Swami - 8A